This also includes Planechase and Commander format legal cards that are used in their respective format. These are various special releases that feature selected highlights throughout Magic's history. Adventures in the Forgotten Realms Strixhaven: School of Mages Kaldheim Zendikar Rising Ikoria: Lair of Behemoths Theros Beyond Death Throne of Eldraine War of the Spark Ravnica Allegiance Guilds of Ravnica Dominaria Ixalan. In m15, add Ob Nyxillis, Unshackled as well as Indulgent Tormentor. + 0.99 Shipping Free Shipping on Orders Over 5. So, to go along with the Avacyn theme, I decided to build a demon deck that could go against my Angel deck. Indulgent Tormentor - Starter Commander Decks (SCD) Starter Commander Decks. Modern Horizons 2 Modern Horizons Modern Masters 2017 Modern Masters 2015 Modern Masters Core Set 2021 Core Set 2020 Core Set 2019 Magic Origins Magic 2015 Magic 2014 Magic 2013 Magic 2012 Magic 2011 Magic 2010 Tenth Edition Ninth Edition Eighth Edition It was then that I remembered helping my friend design a commander sliver deck and thought that a theme deck would be a good idea.Modern allows cards from the 8th Edition core set and all expansions printed afterwards. Historic sales data are completed sales with a buyer and a seller agreeing on a price. The prices shown are the lowest prices available for Indulgent Tormentor the last time we updated. Modern was created by Wizards of the Coast in the Spring of 2011 as a response to the increasing popularity of the Legacy format, which although popular proved difficult to access due to the high price of staple cards. Indulgent Tormentor prices (Magic Iconic Masters) are updated daily for each source listed above.
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So, as a final word, I really like Retropan 320 Soft Film. Macphun Tonality 2016: Exposure:Adaptive -32, Macphun Noiseless 2016: Light Preset at 100% Given the highlights within the photo, I have applied an increase in blacks to compensate for the soft contrast of the film. Kristina – Standing with sun behind her, spot meter on her face. In this image, I wanted to keep the highlights in the background, avoiding any distractions from taking away from Kristina. This was to pull the separation from the highlights on the subject only, but in my workflows I apply the change to the entire image first, then see if a mask is really needed. To bring out Kristina, a mask was applied to the Tonality adjustment. This allows us to separate the image from the background easily without any editing required, bar some subtle adjustments to slightly deepen the subject. So, how does the film fair when shooting directly towards the sun? Well, as you can see from the shot of Kristina taken on Water Street, in the Gaslight district of Vancouver, there is a beautifully soft background, while she pops out from the image due to the very good separation between the highlights and her. Macphun Noiseless 2016: Light Preset at 50% It has a relatively small area of highlights, but large ares extending from the mid range down to lowlights. Kristina – With sun to her left and majority of background in shadows. This allows for some especially beautiful images to be created straight from the camera, which should be the plan when shooting film.Īgain, the soft effect can be enhanced with some subtle changes, in this case done in Macphun’s Noiseless to reduce the grain and Tonality to deepen the blacks, which adds to the dreamy look the film delivers. Now, I understood that the film will produce a soft feel, and that is certainly true at the highlights, while the mid to low tones are contrast softer than Kodak T-Max 100 they are still strong enough to pull the image together. When moving to the outside on a very sunny day, the film really finds it’s niche in creating very soft, highlight sensitive images, giving us ethereal, dreamy feel, of the 50’s. Macphun Noiseless 2016: Lightest Preset at 100% Very little processing is required to get the best out of the photo. Peter – With a small amount of highlights and good amount of lowlights, this is where Retropan comes into its own. I was told by Christopher from Blanco Negro that the more extreme grain can be controlled by using the matched chemicals during development. As you can see in the unprocessed image, there is a reasonable amount of grain in the shot, but with subtle use of noise reduction, the image becomes suitable for publication and enlargement. Limiting the highlights gives us reasonable contrast while still being a soft, almost nostalgic looking film. This is where those whom love dark greys and blacks will love work with the film. The first shot show excellent skin toning and still having reasonable contrast. I was after somewhere that controlled the amount of light, and allowed the lowlights provide the tone of the image, and have Peter ‘pop’ out from the background. With all the insights gleaned to the nature of the film, the first portrait taken were inside a pub in Vancouver. So, on to the web and searching for Retropan I can across a section in APUG which discussed real life experiences with the film. Foma’s Website provides a good starting point for a quick summary, but I certainly needed more details. So, armed with the film and a need to know more about the characteristics of Retropan, my first task was to research just what type of images the film produced. The research needs to extend to the film you plan to use, as well. It is now a case of planning the shot and checking all settings are correct. No more quick test shots to see if things are working. I work with digital and analogue when shooting, but I have rediscovered the joy of film photography and the discipline it demands. It was his recommendation that lead me to try Retropan, and armed with a couple of rolls, I decided to see just how good the film really was for portrait photography. I use Blanco Negro to hand develop my film, and while more expensive than lab processing of film, the owner, Christopher Reid, is one of the unsung heroes, who quietly promotes the film cause. Being an avid film photographer, I was very pleased to introduced Retropan when dropping of some film of for developing. While being at odds with itself, the title is the best way to describe Retropan 320 Soft, the film Foma released in 2015. All images and words by Alasdair Dougall. Southern Shores Mayor, Elizabeth Morey, stated that “the Town wishes to express its appreciation for all those whose hard work paid off in advancing the construction of this much needed infrastructure”. In June of last year, the Town of Southern Shores along with the Town of Duck, Currituck County, the Duck Community and Business Alliance, Inc., and the Dare County Tourism Board, filed an Amicus Brief with the Fourth Circuit. Court of Appeals for the Fourth Circuit upheld a December 2021. On June 23, the Town of Southern Shores announced that it had filed an Amicus Curiae (friend of the court) brief in the ongoing litigation over the Mid-Currituck Bridge on June 13. This decision overcomes a huge hurdle and allows planning, design and permitting work to resume. earlier ruling in favor of Mid-Currituck Bridge project. The Court of Appeals basically found that the Transportation Agencies did not violate the National Environmental Policy Act in approving the bridge project. The Court essentially embraced the analysis, findings, and conclusions of Judge Flanagan. Critics, on the other hand, have raised concerns about the potential environmental impact of the bridge and its cost. An environmental group says it will not appeal a court ruling over plans to build a toll bridge on the Outer Banks. The Town is extremely excited to share that the Fourth Circuit issued its opinion in this case today which affirmed and upheld the decision from Judge Flanagan at the District Court level. Oral arguments were heard in early December of last year. The Mid- Currituck Bridge litigation had been on appeal with the Fourth Circuit Court of Appeals in Richmond, Va. Mid-Currituck Bridge Litigation- Fourth Circuit Issues Its Opinion Pay Parking Tickets, Tax and Water Bills. Joshua's Law refers to measures put in place by the Georgia DDS to ensure that all first-time teen drivers between 15 and 17 years old have the proper training to earn a Georgia drivers license. 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The main story is primarily linear, directed by Amaterasu's guide Issun, though numerous side quests and optional activities allow for players to explore the game world and take the story at their own pace. The gameplay style is a mix of action, platform, and puzzle gaming genres, and has been noted by many reviewers to have numerous similarities in overall gameplay style to The Legend of Zelda series, an inspiration that director Hideki Kamiya, a self-proclaimed Zelda fan, has admitted has influenced his general game design. The player controls the main character, Amaterasu, in a woodcut, watercolor style, cel-shaded environment, which looks like an animated Japanese ink-illustration (known as ink wash painting, or sumi-e) with other styles of art. Mainstream adoption of the game has improved with the release of these remasters, and Ōkami is considered to be one of the best video games ever made, as well as an example of video games as an art form, aided by the improved art details and graphics resolutions.Ī spiritual successor on the Nintendo DS, Ōkamiden, was released in Japan in September 2010, followed by North America and Europe in March 2011. The port was released for PlayStation 4, Windows, and Xbox One in December 2017 worldwide, for the Nintendo Switch in August 2018, and for Amazon Luna in April 2022. A high-definition port, remastered by Capcom and HexaDrive, was released on the PlayStation 3 via the PlayStation Network in October 2012 and for retail in Japan in November, supporting the use of the PlayStation Move motion controller. The Wii version earned similar praise, though the motion control scheme received mixed reviews. Although it suffered from poor sales, the game received critical acclaim, earning IGN 's 2006 Game of the Year. Ōkami was one of the last PlayStation 2 games released prior to the release of the PlayStation 3. The game's name is a pun, as " ōkami" can mean either "great god" ( 大神) or "wolf" ( 狼) in Japanese. The gameplay is modeled on The Legend of Zelda, one of director Hideki Kamiya's favorite series. Clover Studio switched to a cel-shaded style to reduce the processing, which led to the Celestial Brush concept. The game was planned to use more traditional realistic rendering, but this had put a strain on the graphics processing of the PlayStation 2. It features a sumi-e-inspired cel-shaded visual style and the Celestial Brush, a gesture-system to perform miracles. Set in classical Japan, Ōkami combines Japanese mythology and folklore to tell the story of how the land was saved from darkness by the Shinto sun goddess, named Amaterasu, who took the form of a white wolf. After the closure of Clover Studio a few months after the release, a port for Wii was developed by Ready at Dawn, Tose, and Capcom, and released in 2008. It was released for PlayStation 2 in 2006 in Japan and North America, and in 2007 in Europe and Australia. "great god" or "great spirit") is an action-adventure video game developed by Clover Studio and published by Capcom. I know I'm taking this in reverse, but I want to mention the entire Fireside experience. If anyone is looking for a sexpot who can sing and dance, they should give her a call. Milwaukee audiences know her as a serious actress and as a jaunty, slightly whimsical musical character. She danced like she could easily have performed in a gilded cage in some fancy nightclub in the '60s, taking tips from young businessmen. Mulkerron is an actor of considerable skill and she brought a rare sense of theatricality to the musical marathon. All of us boys who were hormonally uncontrolled teenagers back in the '60s got shivers watching her work the stage. In the big closing number she wears a short tunic, green tights and bright yellow heels. Shows at the Fireside are good for the whole family, but Mulkerron has this thing about her that managed to capture the sexual innuendo of rock and roll without stepping out of bounds. I may be biased here – okay, I am biased – but Milwaukee's own Beth Mulkerron certainly displayed a wide range of chops as she more than held her own with the New York talent.įirst of all, she had more sex appeal than the rest of the cast combined. The Fireside regularly auditions in New York to get a cast for its shows. This an Equity cast and they've earned their stripes. From Jim Morrison and the Doors, who were paid tribute by Steve Watts, the bandleader and a singer of incredible skill and force, to Simon and Garfunkel, with all the singers taking part. (There was no Otis Redding, Sam Cooke or Gladys Knight and the Pips).īut this show was about who was represented. For a little over two hours, with Dan Embree acting as our host and guide, we got song after song. If you are humming along or tapping your foot while reading this, I understand. Here's the lineup, although I may have missed one or two: "Pretty Woman," "Windy," "Sherry," "Hang on Sloopy," "Game of Love," "Sealed with a Kiss," "You've Lost That Lovin' Feeling," "The Lion Sleeps Tonight," "Whiter Shade of Pale," "I Feel Good," "Take Another Little Piece of My Heart," "Wooly Bully," "Do Wah Diddy," "MacArthur Park," "Satisfaction" and "Wild Thing." Once the crowd got settled, so smoothly it seemed like a magic trick, the band struck up the song and the eight talented young performers started in on a medley of songs. The singers, dancers and, at least in one case, the actor played around the band, right to the edges of the square stage. Now, I like plays and musicals better than I like revues, but I may well be changing my mind.Īn eight-piece band occupied the pit in the center of the staqe and was on an inventive platform that raised and lowered and even turned around. The show on tap now, and until February, is something called "Sizzlin' 60s," a revue tribute to the music of the '60s, which just happens to be the music I grew up with. I'll get to the dinner later, but since I review theater, that's where I'm going to start.įireside has a 650-seat theater that manages to combine intimacy and comfortable seats surrounding a small stage. If they gave out points for being wrong, I would be leading the pack on this one. I'll confess that I was expecting a noon dinner of hastily and bulk prepared food followed by a show that would remind me of a cruise ship, "American Idol" auditions or "Disney on Parade." Having driven by it a thousand times and having heard about it occasionally, I was totally unprepared for the reality of the Fireside Dinner Theatre in Fort Atkinson, about halfway between Milwaukee and Madison. What do you call it when the sick get sicker? There's almost a melodic section to Trey's solo before his fingertips ignite at about 4:00. Recording has the bass cranked up, so check out the Mike action - sweet! > in from "Esther." Page is sick Trey is very demented.Īnything but "Lazy," this inventive version finds Trey taking a bluesy sort of solo, coloring his play with Deep Purple teasing, before entering customary blistering play.Įxtra jamming from Page and Trey. Played at a quicker (normal) tempo than the earliest versions, this one features more, really sick shredding. Some bluesy Page B-3 action, and sick Trey shredding. Format includes the now customary Page and Trey sections and has additional vocal refrains at the ending. > in from "Reba." First recorded version is played at a slightly slower tempo. Move the knight onto Napoleon's castle and win the game.Back to Jamcharts Feedback/Corrections Jam Chart for Llama (35 entries) Date Near the peg jamming the bridge is a cannon snail so jump over to him right after he fires at you and get rid of him and then grab the jamming peg and then throw it away with telekinesis. Napoleon will jam the bridge so get over there and walk on tight ropes to get around. Give the peasant his musket and then move him next to Napoleon's soldier and have them kill each other again. Burn the haystacks for the weapon and then burn down the door. Levitate over to the other climbable wall and use the cobweb duster. Then walk on the tightrope and then climb up the pole and float across to get to the top of the barn. To get this peasant's weapon, go to the left barn and swing up to the rope, get across and shimmy to the other side. Napoleon now puts out another soldier and so we need the peasant nearby to help out. Use telekinesis to move the bucket near the knight's house. Go to his house and he wants snails to eat so go to the apple orchard near the coin peasant's house and use telekinesis to grab 10 snails. Give it to the peasant and he'll fight for Fred so place him next to Napoleon's soldier. Give this to the peasant and then he will appear on the board so move him next to Napoleon's game piece and they'll kill each other.Īnother peasant knight wants to get paid to go out and fight so grow again and get Fred's coin inside the fireplace with telekinesis. Grow again and then talk to Fred and he'll give you a note. Shrink down and talk to a peasant in his house who won't fight until Fred shows he appreciates him. When that's done drop down and get the carpenter to come out and fix the broken bridge by moving him with telekinesis. Break through the other house and get on the carpenter's house and beat up the censors. Then use invisibility to get past the blades and walk on the tightrope. Go up the ladder of the house near the guillotine and float on the smoke. You could hit them and then light them on fire in order to make it explode or throw them into the water with telekinesis. There are 2 ways to beat the metal snails. Then go to the carpenter's house and look at his roof. The first thing you should do is use telekinesis on the salt shaker and break it. He's playing a game with Napoleon and always loses. Go up to the guy in the strait jacket and use the portal on him. Besides being crowned with an olive wreath, horse winners were usually presented with 140 ceramic pots of olive oil, a highly-prized and invaluable commodity to the Greeks.īecause of the sport’s immense popularity, chariot racing also became a popular avenue for women to take part in the Olympic Games although not personally. What was appalling though, was that the horse owners and not the racers would bask in the glory of winning. In the Ancient Olympics, chariots raced 12 times around the tracks. As the sound of the trumpet heralded the start of the race, the clamor of the audience would grow louder as the chariots and their drivers entered the arena. Races were held in a Hippodrome, the Greek equivalent of the Circus Maximus. The four-horse chariot race received the most fanfare, making it the most prestigious and the longest-lasting event. Since then, chariot racing became one of the most highly anticipated events in the games. It proved to be a huge success for the demanding audience who were instantly enthralled with the gripping, visceral, and dangerous nature of the sport. The first chariot racing event was introduced in the Ancient Olympic Games in 680 BC. It didn’t only serve as a stadium to hold chariot races, but it also served as a central venue for ludi publici or the Roman public games. In the times of the ancient Romans, Circus Maximus was as iconic as the sport itself. It still stands in Rome today, albeit in ruins. It was constructed in the 6th century BCE, and nestled between the Palatine and Aventine hills.Ĭircus Maximus was a stadium built for chariot racing. Spectators that numbered hundreds of thousands congregated in a specially-built arena called the Circus Maximus. Over time, it was organized as a form of show business where exceptional racers catapulted into “stardom” status. But it also proved to bring in huge profits. Getting thrown from overturned or broken chariots entailed possible injuries - or worse, death - for the participants as they could get trampled by the charging horses or get caught in the reins.Ĭhariot racing was very expensive, and it could only be witnessed by the wealthy and those who were deemed with high regard in the society - especially the emperor. This meant danger for the racers, also known as charioteers, who mostly consisted of slaves or freedmen. The horses were often beautifully decorated, adorned with gems of various colors braided into their manes or tails.Īs the chariots need to be as fast as possible, they were built to be light and aerodynamic. The chariots were color-coded in red, white, green, and blue to represent the four principal teams.ĭrivers would enter the race track perched on two-wheeled, open-backed chariots made of wood that provided little to no protection. Races usually lasted for seven laps, and included as many as 12 chariots at a time. It was a race that pitted small, two-wheeled vehicles drawn by two-, four-, or six-horse-teams. It is one of only a handful of chariot-racing tracks ever to be found in the former northwestern provinces of the empire, and the first to be found in the last 20 years, he said.Chariot racing is less violent than the gladiator games, but it doesn’t mean that it’s not as extreme and dangerous. It’s the biggest known building in Roman-Britain - it really is an extraordinary discovery,” he told Reuters. “The circus in Colchester is the only one in Britain, so it’s very rare,” said Philip Crummy, director of Colchester Archaeological Trust, who found it. They discovered the elliptical track and key parts of the structure which would have held rows of tiered stone seating, during a routine survey for builders seeking to redevelop a Victorian army barracks and associated garden. Traces of the huge track were unearthed by archaeologists in the ancient city of Colchester, once the capital of Roman Britain, in Essex, 90 km northeast of London in late 2004. 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